British director Nicholas Roeg's first film in 15 years is a supernatural drama set amidst the rolling hills of the Irish countryside. Needing to escape the city and her demanding boss Lars (Donald Sutherland), young architect Liffrey (Kelly Reilly) and boyfriend Richard (Oscar Pearce) buy a cottage in the Irish hills to restore. The Tucker family, who lived there previously and have now moved to a nearby farm, soon make the couple uneasy, especially mother-of-three daughters Mabs (Miranda Richardson), who can't hide her desire to have a son. The atmosphere takes a turn for the worse when Liffrey announces she's pregnant, mainly because Mabs's mother Molly (Rita Tushingham) has been trying, through use of the black arts, to finally have her own grandson. Isolated in her pregnancy, Liffrey is soon surrounded by a family convinced that the baby she is carrying rightly belongs to Mabs.

Nicolas Roeg is one of the most distinctive and influential film-makers of his generation. The generation of film-makers who define contemporary movie-making - Danny Boyle, Kevin Macdonald (The Last King of Scotland), Christopher Nolan (The Dark Knight), James Marsh (Man on Wire), and Guillermo Del Toro (Pan's Labyrinth), all acknowledge their debt to the work of Nicolas Roeg. Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance, established an approach to film-making that was unconventional and ever-changing, creating works such as Don't Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball. Having now reached eighty years of age, Roeg has decided to pass on to the next generations, the wealth of wisdom and experience he has garnered over fifty years of film-making.